Painting day again, at long last! At least it seems like it's been a long time. I was correct in thinking that Sharon would have a few suggestions that would make the Venice painting better. Here's what she thought:
- make the figure on the bridge even more clear by darkening the gray behind her and complete the dark ink outline around the umbrella
- make the water in the canal seem to flow into the doorway and give it (the water) more movement throughout
- finish the stonework in the bridge on the left (can't believe I overlooked that completely!)
As I've done before, I'll post the before and after photos of the painting with "before class" on the left and "after class on the right:
Remember, if you click on the painting you'll be able to see a larger version of it, but you won't be able to see them side by side.
So a landscape this time. See if you can figure out what it may turn into:
Remember, if you click on the painting you'll be able to see a larger version of it, but you won't be able to see them side by side.
After I finished work on the Rainy Day in Venice (no clever title here, I'm afraid), I started a new one without buildings. While I really enjoy painting cityscapes, my imprecision with perspective has become almost an anxiety. In general, perspective doesn't bother me even if I make some errors. But I'm not precise, and there are mistakes that are beginning to shout at me. Do I have the patience to really work things out before hand? I thought I had done that with this one only to find out I didn't solve everything.
So a landscape this time. See if you can figure out what it may turn into:
I apologize for not cropping this one, but it wouldn't have helped you that much.
Here's a hint; you've seen a lot of this particular place in my blogs.